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"Maximilan I (1459-1519) skillfully crafted a public persona and peronal mythology that eventually earned him the romantic sobriquet 'The Last Knight.' From the time he became duke of Burgundy at the age of eighteen until his death, his passion for the trappings and ideals of knighthood served his wordly ambitions, imaginative strategies, and resolute efforts to forge a legacy. A master of self-promotion, he ordered exceptional armor from the most celebrated armorers in Europe, as well as heroic autobiographical epics and lavish designs for prints. Indeed, Maximilian's quest to secure his memory and expand his sphere of influence, despite chronic shortages of funds that left many of his most ambitious projects unfinished, was indomitable. Coinciding with the 500th anniversary of Maximilian's death, this catalogue is the first to examine the masterworks he commissioned, revealing how art and armor contributed to the construction of Maximilian's identity and aspirations, and to the politics of Europe at the dawn of the Renaissance--sur feuille mobile inserrée dans le livre

Maximilian I [Holy Roman emperor] --- Art --- armor [protective wear] --- Armures --- Catalogues d'exposition. --- Dans l'art --- Maximilien --- Exhibitions --- Maximilien I --- Dans l'art. --- hofcultuur

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History of the Low Countries --- Iconography --- anno 1600-1699 --- Armistices in art --- Peace in art --- Propaganda --- Communication in politics --- Armistices dans l'art --- Paix dans l'art --- Propagande --- Communication politique --- History --- Histoire --- Netherlands --- Pays-Bas --- Politics in art. --- Propaganda analysis.

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Sociology of minorities --- History of Europe --- Iconography --- anno 1500-1799 --- anno 1400-1499 --- Poor in art. --- Sick in art. --- Outsiders in art. --- Peddlers and peddling in art. --- Art, European --- Pauvres dans l'art --- Malades dans l'art --- Marginaux dans l'art --- Colporteurs dans l'art --- Art européen --- Themes, motives. --- Thèmes, motifs --- Peddlers in art. --- Art européen --- Thèmes, motifs --- social history --- andere mens --- beggars --- poverty

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History of civilization --- Music --- gamba --- Applied arts. Arts and crafts --- Musical instruments in art --- Stringed instruments in art --- Violin --- Instruments de musique dans l'art --- Instruments à cordes dans l'art --- Violon --- History --- Histoire --- Arts --- History and Archaeology --- Frascati --- Instruments à cordes dans l'art --- Construction (Musical instrument) --- Bowed stringed instruments --- In art --- 78.44.1.1 --- 78.44.1.3 --- Viool --- Vioolbouw

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Ut pictura amor: The Reflexive Imagery of Love in Artistic Theory and Practice, 1500-1700 examines the related themes of lovemaking and image-making in the visual arts of Europe, China, Japan, and Persia. The term ‘reflexive’ is here used to refer to images that invite reflection not only on their form, function, and meaning, but also on their genesis and mode of production. Early modern artists often fashioned reflexive images and effigies of this kind, that appraise love by exploring the lineaments of the pictorial or sculptural image, and complementarily, appraise the pictorial or sculptural image by exploring the nature of love. Hence the book’s epigraph— ut pictura amor —‘as is a picture, so is love’.

Love in art. --- Sex in art. --- Image (Philosophy) --- Art --- Beautiful, The --- Beauty --- Sex in the arts --- Sexuality in art --- Philosophy. --- Analysis, interpretation, appreciation --- love [emotion] --- Aesthetics --- eroticism --- anno 1600-1699 --- anno 1500-1599 --- Amour -- Dans l'art --- Amour --- Dans l'art --- Art and philosophy --- Philosophy --- Dans l'art. --- Love in art --- Sex in art